Once the scribes were finished with the text, the page was handed over to another monk, known as the “illuminator”, who worked essentially as an artist. Other scribes in the room would be responsible for proofreading the text and checking that everything had been copied correctly. If more colours were required, the page would then be passed to another scribe working with that colour. They were responsible for preparing and cutting the vellum and adding the text to the page in a certain colour of ink. Most monasteries at the time had not just a library but also a “scriptorium”, where manuscripts and books were created. The first illuminated manuscripts were created in monasteries in Northern Europe, most notably in the British Isles and Ireland. The Bird Psalter, London (1284) © The Fitzwilliam Museum, Cambridge These shiny materials were said to “illuminate” the text, giving the manuscripts their name. Often, this decoration was then enhanced with gold or silver leaf, especially if the manuscript was of particular importance. The first letter on a manuscript page - the “illuminated capital” - was also often enlarged and colourfully decorated. Illuminations ranged from decorative borders around the page to a full-page illustration depicting an event described in the text. Luckily for today’s medieval historians, the wood preserved the pages inside, keeping them in peak condition and making it possible to still read the manuscripts today.īut what sets illuminated manuscripts apart from other medieval documents are the ornate illustrations, or “illuminations”, that adorn each page. A codex consisted of numerous sheets of parchment sandwiched between two pieces of wood, just like a modern book has pages bound between the covers. Many illuminated manuscripts were then bound into an early type of book called a “codex” (“codices” in the plural). Like all manuscripts, they were written by hand on a page of parchment, usually a piece of animal skin known as “vellum”. Illuminated manuscripts were a type of manuscript that were produced mainly in Western Europe from the 6th century until the invention of the printing press in the 15th century. In this post, we are going to take a look at what exactly an illuminated manuscript is, talk a little about the digitisation of them, and found out just why so many illuminated manuscripts feature knights fighting snails. Better still, many of them have survived to the present day, making them a rich source of information for medievalists and other historians. The words in these manuscripts were embellished with ornate borders, detailed illustrations, and gold-leaf work, turning them into beautiful pieces of medieval art. One particularly famous type of manuscript from the medieval period is the illuminated manuscript. Before the introduction of the printing press, all books were painstakingly copied out by hand and those such as the Bible could take several years to complete. Creating books in the Middle Ages was a challenge.
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